The word “me” sinking into a bubbling puddle of metallic goo. The piece is about how narcissistic artists have to be to make their work, but by admitting their narcissism, they can at least take some steps to control it.

An agoraphobic obsessive compulsive attempts to overcome her social anxiety by going to a cafe to order a cup of coffee.

Valerie Tyler is a 28-year-old organization freak who loves her 16-year-old sister Holly. Even if Holly is rambunctious. Spontaneous. Impulsive. Disconcerting. And definitely disorganized. Then Holly moves in with Val, and the sisters discover they may make better siblings than roomies.

Valerie Tyler is a 28-year-old organization freak who loves her 16-year-old sister Holly. Even if Holly is rambunctious. Spontaneous. Impulsive. Disconcerting. And definitely disorganized. Then Holly moves in with Val, and the sisters discover they may make better siblings than roomies.

First and only music video from Kandi Burruss’ first album, ‘Hey Kandi’

人の考えを知ることは簡単ではない。けれども、それは人生にも仕事にも大切なこと。考えることが好きで、目に入るさまざまなことに思いを巡らせてきた主人公（井桁弘恵・総合デベロッパー社員）が、とある街づくりプロジェクトを通じて、同僚、街の人、友人たちと向き合いながら考える。

After leaving behind the hectic city life, sisters Sun-young and Ji-young move to a secluded rural village. Sun-young, the older sister, is practical and responsible, while Ji-young is carefree and detached. Dae-geun, the passionate youth leader who works tirelessly for the happiness and prosperity of the village, and Bong-sam, the village chief, both fall head over heels for the sisters who bring a fiery energy to their once-quiet town. Other suspicious men begin to obsess over the sisters, including a wanted criminal who causes a stir in the village. One man after another, the village's men fall into the wild trap of desire.

Written in English in spring 1972. First performed at the Forum Theater of the Lincoln Center, New York, in September 1972. First published by Faber and Faber, London, in 1973. First performed in Britain at the Royal Court Theatre, London, on 16 January 1973.

Written in English in spring 1972. First performed at the Forum Theater of the Lincoln Center, New York, in September 1972. First published by Faber and Faber, London, in 1973. First performed in Britain at the Royal Court Theatre, London, on 16 January 1973.

蓦然竖起的食指，触碰间的心意相通。在这个忽明忽暗的黑白世界里，女人时不时地按下电灯开关，像是跟自己的影子做着游戏，又像是在刻意地操控着光明与黑暗。她在地板上缓慢地蠕动着，发出嚓嚓的摩擦声。食指相交后的异想世界，她的身影诞生出了一个男人的身体。一样的动作，一样的表情，却分不清楚到底哪个才是真实。当他们再次食指互碰的时候，他们的身份交换了。穿越而过的还有耳边水面的嘀嗒声。 　　本部极简主义风格的黑白动画短片，讲述了一场象征意味强烈的光影游戏。这场游戏间的较量，是光明和黑暗的相互对比，是男人与女人之间的故事，也是一个关于平行宇宙的思考。导演迈克尔·弗雷执导试图用这部简约而短小的作品，引发我们对于平行空间的思考：如果我们有另外一个平行宇宙，那么这两个宇宙中的人如何交集？我们是否应该保持着宇宙中的这份平衡？